Addi Why?Why do you disturb my sleep?Oh Addi sometimes I feel you take my will.I am helpless. Addi, Hell-ples, Help-less:…..HELP
My knees they are not there today, they were yesterdayYou take my thoughts, my mind, my hope my tomorrow Addi
They say AddiChild tasted that yesterday
DARK ICEBaby is growing, wants more,. For the first time yesterdayGoes to university, baby vision: more amass more more
DARK ICEChild sees warehouse, baby not idiolizeBut baby cannot see, see a god greater than….Willing war for
DARK ICEMaybe, child kill, that one threatened his….Cares about others, maybe notCan see others? Why. BABY WANTS TO KNOWWhat is tunnel vision, please tellChild not want mokey off his back, loose only friend he got
DARK ICEOh Addi why? Why do you do this,Have I played you wrong Addi? Have I loved you lessYet you treat me with no treat AddiYou are my companion, until death do we partYou take my life blood AddiNow you want my soul dear Addi
Addi why, whi Addi do others not call you Addi;They call you……Call you,Addiction?……you’re not ADDICTION,YOU ARE WHO I AM, ADDIWHO I AMAddi why? Why Addi why?……WHY ADDICTION?
Rennon nació y vivió la mayor parte de su vida en La Ciudad de Los Angeles (California). Desde hace 20 años reside en el particular barrio de Tenderloin (San Francisco). Sus escritos aparecen en las Antologias Poéticas POEMS FROM THE LAND OF THE DEAD, an Anthology of Creative Writing and Visual Arts y en 5 MINUTES IN THE TENDERLOIN, an Anthology of Words and Art from the Tenderloin.
Trabajo de electricista y Bart Tender en Universal Studios mientras estudiaba Teatro en la Universidad de los Ángeles. Tiempo después hizo algunas obras de teatro, cine y television.
En Teatro: de George Bernard - Captain Brassbound's Conversion- De Tennessee Wiliams Camino Real en el Music Center, Night of the Iguana y The Milk Train Doesn’t Stop Here Anymore. En television: Machismo Bag de Tennessee Williams. En Cine: Chance of Habit (Elvis Presley) y Hight School en Red Sky at Morning (Claire Bloom) entre otras.
Entrevista a Rennon Mariano, por Juan Carlos Vásquez.
Fotografía Gaston Roulstone (en Unsplash). Public domain.
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